Monday, April 02, 2007

Mike Watt - Hardest Working Bass Man in America



I never intended for anyone to become my hero. As a bass player who is trying to further his self, one of the most important companions to creating music is studying other music - all of it. The good, the bad, the popular, and the unprecedented. Mike Watt and the Minutemen helped shape the early American punk movement in the late 70's. Traveling all over in a beat up Ford Econoline van, setting up their own tours, and conveying their own message, they "jammed econo".


What do you do when your best friend and musical soulmate is killed in an accident? For Mike Watt, music was his life when D. Boon died in 1985. Hanging up his bass guitar and calling it quits would have been equivalent to suicide- and I'm sure the thought crossed his mind during that dark time. Instead, he did the only logical thing to him, and has everyday since then- he gives himself to the musical world, in the name of his fallen mate.


Mike Watt gives his energy to us in several ways. Besides the gigs that he plays almost every night with one of several bands (The Stooges, The Missingmen, Banyan, Dos, and other projects), you can listen to his regular podcast, The Watt From Pedro Show. It's a three hour presentation featuring Watt's philosophy, interesting special guests from different areas of his life, influential music, and new music from around the world. He's been doing the show for almost 6 years, with well over 100 shows archived. That's 300+ hours of mind expanding material for your listening pleasure. It's kept this side of overwhelming thanks to Watt's careful attention and faithfulness to a consistent show format.


Watt is also very good (considering the challenges involved) about "writing from the road" He posts his experiences, thoughts, and memoirs in his blogs on The Hootpage, his personal website. Thanks to these gifts, it's not hard to learn what kind of person Mike Watt really is... a hard working, caring, and real person- who has become a hero of mine.

Sunday, March 04, 2007

Why did SpeedTV dump WRC in favor of NASCAR?





I don't watch much TV, but there was a time when my roomies and I used to enjoy catching the weekly recap of the World Rally Championship, on SpeedTV (formerly Speedvision). For those of you who are unfamiliar, auto rally racing competitions are THE most hardcore, adrenalized motor sport, for both the participant and the viewer, on the planet. Sport compact cars with unbelievable power-to-weight ratios are dropped into the most grueling road conditions (snow, mud, you name it) and run the stages as fast as possible, with in-car cameras. The competition is on real, treacherous roads (no tracks!)


...And these cars turn left AND right, NASCAR fans.


The cars go so fast that they have a dedicated course note reader so the driver is prepared for the turns. See this video to get an idea of what it's like. The road conditions change rapidly and the team has to decide quickly and finally what tires to use, etc. The cars run one at a time so they don't have to worry about hitting each other- no yellow flags, red flags, no stopping. The only rule is get your car across the finish line as fast as possible, no matter what condition it's in. And believe me, these cars can be in pretty rough shape and keep going. Cars have been known to flip several times, land right side up - and it's game on.


Anyway, while the coverage was admittedly sparse, at least it wasn't non-existent. Over the years, NASCAR coverage continued to further dominate the programming on Speed, and finally in 2005 they dropped WRC all together. In fact, at this time, there is NO way to watch WRC coverage on TV in the US. This is amazing- an actual quote from a NASCAR fan on the VW Vortex forums: "I like NASCAR too, but I can't watch it 24/7."


If Rally racing is even slightly appealing to you... If you feel like you could be one of the millions of Americans missing out on some of the most exciting motor sports out there, I urge you to take 1 minute and Sign this petition to get other events besides NASCAR back on SpeedTV channel.

Friday, February 09, 2007

Timbaland rips off a Demoscene artist

I knew this day would come. The new Timbaland/Nelly Furtado song "Do It" uses a song made in 2000 by Finnish demoscene artist "Tempest" (Janne Suni). It's a 4 channel .mod (the ripoff is from a playback using the C64 SID soundchip). The song was hosted on scene.org's servers (the main repository for all everyones demos and tracked music, etc.). As you might expect, no permission or royalties were paid to Tempest.

Just to clarify, we're not talking about some kind of coincidence here. There is no question that this track was used to create the song "Do It".

In an interview, Timbaland tries to downplay it, saying things like "he sampled it from a video game". (This track was not written for a video game- it was actually written for the 2000 demoscene music competition, in which it won 1st place). Regardless, he basically claims he has no legal obligations because it's just like all the other pop artists that sample other music. The difference is that those artists get royalties even when other artists sample their music. Anyway, when you here the song, this is a little more than a "sample". Tempest deserves some compensation.

That being said, this is a very interesting situation. Timbaland has the legal power of Geffen Records behind him, and Tempest has his one lawyer. No one has heard of the Demoscene, so he's going to get screwed, and all of us who have written and submitted tracked music to repositories popular among the Demoscene could be next.

There is such a huge difference between the worlds of pop music and demoscene music. In the pop music model, the music is highly "accessible" (simple assed writing, CD's that sell in retail stores, played everywhere you go, etc.) and the artist generally receives revenues (and fame). In the Demoscene, because of the nature of the way the music is "programmed", the music can be complex and intricate, and often uses sounds not heard in the pop world because of the computer architecture that is used in playback. The music is awesome, but obscure. Most importantly it's always been freely shared. For a big pop artist looking to do something revolutionary with their "sound", this is a wide open door. All you have to do is throw away a little thing called "ethics".

When the pop and demoscene worlds are mixed, everything breaks down. The precedence of this case is really important because there's a fricking ton of incredible music out there in the demoscene that could fall "victim" and be used to make money for someone else, and the outcome of this will decide whether there will be any royalties paid to those artists if their music is used.

To make matters worse, he apparently already used this piece of music to make money in 2005, in a ringtone "written exclusively by Timbaland":



Media
------

Here's the entire C64 playback of the original (mp3 format)
http://www.genietervan.com/hoerr/glenn_acidjazz.mp3

Here's the Timbaland/Furtado song:
http://youtube.com/watch?v=8N4ovp90Ea0

The first post in this thread does a good job of explaining what happened:
http://forums.somethingawful.com/showthread.php?threadid=2274635&perpage=40&pagenumber=1

Timbaland, in an interview answering to the controversy:
http://www.youtube.com/watch?v=JTvY3wZrHrQ

Friday, December 15, 2006

Thursday, September 15, 2005

Obstacles to Progress

I have always had the view that the needs of mankind are a set path, and that barring any self-induced catastrophe that wipes us out, it is our destiny to develop new technology until we have reached some kind of "holy grail". Resistance is but one of the many temporary obstacles to developing new technology, but even that occurs less often. As our rate of "progress" (to use a controversial word) goes up, the timeline for acceptance gets shorter, as accepting new ideas becomes more routine.


Our society works in a way that consumer needs dictate the funding and motivation for research and development that leads to progress. Often times, however, people (often individuals) develop ideas that are "ahead of their time". These ideas will be met with the most resistance because the masses will not understand how they will fully integrate with our way of living. The development of these ideas is important, nonetheless, for when their time comes they will be implemented faster, and forethought will become a blessing.

Biodiesel

My friend took this picture in North Carolina.





Thursday, August 25, 2005

Charting tv content characteristics

I got to thinking about tv content today. Nowadays, there's more and more "unscripted" reality tv crap splattered all over the cable-waves. It seems like each genre has various levels of 3 specific characteristics. I've come up with a rating chart to contrast 3 major characterists of all the various kinds of tv content:








TypeScriptedStupidFabricated Plot
NASA Channel


Movies X
X
Reality TV
XX
Crappy Sitcoms XXX



NASA Channel: Reality TV without the suck.

What does Suno mean for us producers & musicians?

 I've been thinking about this for a month or two now, and there is still a lot to process (obviously).  In a way for us musicians and p...